The Red Detachment of Women

A filmed 1970 performance of the China Central Ballet Troupe. Adapted from the film of the same title, The Red Detachment of Women was first staged in Beijing in 1964 and was one of the Eight Model Operas which dominated the national stage during the Cultural Revolution.

4 Months, 3 Weeks and 2 Days

Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.

The Death of Stalin

When dictator Joseph Stalin dies, his parasitic cronies square off in a frantic power struggle to become the next Soviet leader. As they bumble, brawl and back-stab their way to the top, the question remains — just who is running the government?

America

The life of a Romanian Orthodox Priest, who went from a hard childhood in godless, communist Romania, to the land of all freedoms, America.

Indochine

Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.

1900

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Living the Utopia

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

Salvador

In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

Vixen!

Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and even her biker brother. She is openly racist, and she makes it clear that she won't do the wild thing with her brother's biker friend, who is black.

The Man Standing Next

When the investigation of 'Koreagate' takes place, Park Yong-gak, a former KCIA director who knows everything about the government's operations, heads to the United States in exile.

La Arquitectura Del Crimen

Women of Today

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

La Chinoise

Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.

The Motorcycle Diaries

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

Betrayal

After the war, in Bucharest, a young Romanian poet arrested for having written an article denouncing Stalinist crimes, will save his life by accepting to become a hostage of the regime.

Let All Children Smile

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.